LC2 vs. LC3 vs. LC4 – The differences between the Le Corbusier classics
Le Corbusier is one of the most influential designers of the modern era. Together with Charlotte Perriand and Pierre Jeanneret, he developed furniture that is still considered the epitome of functional elegance. The LC2 , LC3 , and LC4 models, in particular, exemplify his radical idea: furniture as architectural objects – clear, rational, and uncompromisingly functional.
Despite their similar design, these classics differ significantly in construction, effect, and use.
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LC2 – THE COMPACT ARCHITECT'S CHAIR
The LC2 armchair is the most formally rigorous design in the series. Its cubic form is created by an external tubular steel frame into which loosely upholstered cushions are precisely fitted. The result is a piece of furniture with clear geometry and an almost graphic effect.
The LC2 has a deliberately compact and structured appearance. It is ideally suited for prestigious living spaces, offices, or lounges where architectural clarity is desired. Despite its reduced dimensions, it offers surprisingly high seating comfort.
LC3 – MORE VOLUME, MORE COMFORT
The LC3 is based on the same design principle as the LC2, but interprets it more generously. Wider cushions, deeper seats, and softer proportions make it the more comfortable option – without losing the characteristic tubular steel structure.
The LC3 feels more inviting and homey than the LC2. It's ideal for private living spaces, spacious lounges, or as a sofa for relaxed seating. While its design remains distinctly modern, it exudes a much warmer feel.
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LC4 – THE CHAISE LONGUE AS RACING FURNITURE
The LC4 chaise longue occupies a special position within the series. It is not a piece of furniture in the classic sense, but rather an ergonomically designed lounger. Its curved shape adapts to the body and allows for various reclining positions.
The chrome-plated tubular steel frame rests flexibly on a fixed base, allowing the lounger to be individually balanced. The LC4 is emblematic of Le Corbusier's idea of "living as a machine for relaxation".
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CONSTRUCTION AS A DESIGN CONCEPT
All three models share a consistently visible construction. The tubular steel frames are external, while the upholstery consists of independent volumes. This separation of structure and comfort was revolutionary at the time of its creation – and continues to influence modern furniture design today.
LC2, LC3 and LC4 are not decorative furniture, but functional objects with architectural logic.
Faithful reproduction from an Italian manufactory
In the Bauhaus Collection, we produce all three models as faithful reproductions using Italian manufacturing techniques. Proportions, materials, and workmanship are consistently based on the historical original.
High-quality leather and fabric covers, precisely crafted tubular steel frames and careful upholstery ensure long-lasting quality and an authentic look.
Italian manufacturing & quality
WHICH MODEL IS SUITABLE FOR WHICH ROOM?
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LC2 : Architectural, compact, representative
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LC3 : Spacious, comfortable, homey
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LC4 : Ergonomic, relaxed, iconic
The choice depends less on the design than on the desired usage concept. All three models can be combined perfectly and together form a harmonious, modern ensemble.
CONCLUSION
LC2, LC3 and LC4 are three different answers to the same question: How can comfort be conceived architecturally? Each design follows a clear function and possesses its own design identity.
Those who choose one of these pieces of furniture are not just choosing design – but an attitude: clarity, function and timeless modernity.
Written by Bauhaus Kollektion
